GTK.

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GTK was an Australian popular music TV series produced and broadcast by the Australian Broadcasting Corporation.

The series title was an abbreviation of the phrase “Get To Know”.

The series is one of several significant popular music programs produced by the ABC,

and like the later establishment of Double Jay,

GTK was created to address the perception that the Australian youth audience was being poorly served

by commercial radio and TV and that much important international music

and especially Australian popular music was being ignored by commercial TVand radio at that time.

GTK premiered on 4 August 1969 [1]and ran until 1974,

after which is was superseded by the even more successful weekly show Countdown.

The first series of GTK was directed by noted TV and event director Ric Birch,

who was at the time the youngest director in Australian television.

Because colour television was not introduced in Australia until early 1975,

most of GTK was shot on black-and-white film or videotape,

although segments of programs ca. 1974 are known to have been shot in colour.

GTK ran for ten minutes and was broadcast daily from Monday to Thursday,

at 6.30 pm just before the ABC’s popular rural soap opera Bellbird. GTK’s magazine-style format

— which gave strong emphasis to local Australian rock and pop music —

included interviews, reports, music film-clips (music videos)

and occasional footage of local and visiting international acts in concert.

A feature of every episode

— and one that makes GTK a unique document of that period of Australian music —

was the daily live-in-the-studio performance segment, specially recorded by GTK.

These segments featured hundreds of notable and lesser-known Australian acts of the period.

The band chosen as featured group for the week would often record

their own ‘cover’ version of the GTK theme (composed by Hans Poulsen),

which was played at the start of each of the program.

These live performance segments were filmed in Studio 21 at the ABC’s Gore Hill complex,

which had originally been used for drama during the early days of live-to-air production.

Groups were called in early on Monday mornings, and four songs/pieces were recorded ,

with one segment broadcast each day.

Another aspect that makes this GTK footage important is

that many of the bands were asked to play material from their live repertoire

— including cover versions —

rather than their current or recent hit song/s,

since it was felt that the groups would perform these better

and because it would show off other facets of their music. It is believed that

because these live performances were filmed

(and later transferred to videotape for broadcast)

most of this footage was preserved,

despite the fact that many of the broadcast master tapes were later erased.

It was thought for many years that most of the videotapes of the program had been erased

during an ABC economy drive in the late 1970s,

but recent discoveries at the ABC, notably during

and after the closure of the old Gore Hill studio complex in Sydney,

have revealed that much of the series

(including location pieces and in-the-studio performances)

was shot on film and then transferred to video.

Recent estimates from the ABC indicate that as much as 90 percent the series has survived,

although regrettably most of the first year of the show was only videotape,

which has since been erased.

Recent discoveries have included exclusive GTK interviews

with Pete Townshend and Marc Bolan and unique colour footage of Lou Reed’s 1974 Sydney concert

(including one of the earliest known films of Reed performing “Walk on the Wild Side”)

and his legendary Sydney press conference,

which features noted Australian television journalist Ian Leslie.

digged from GOOGLE.COM_WIKI.




ROCK WILL COMME soon WITH BLUEs.

ROK HAS HAD NO HISTORY of  SCHYCHIDELIKA.

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~ by raytaker 켬 4월 3, 2009.

One Response to “GTK.”

  1. […] eyes before an appearance on Top of the Pops, controversially viewed as the official birth …GTK. « BOB MARLEY’s RAY.with Pete Townshend and Marc Bolan and unique colour footage of Lou Reed’s 1974 Sydney concert. […]

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